Death is one of those inevitable facts of life. If no one ever died in novels or movies or anything, it would seem unreal. Authors are assassins and gods, making that awesome, terrible choice of who lives and who dies. In my experience, character death in stories falls into two broad camps.
The first is the death that is necessary. For whatever reason, the plot or theme of the piece requires it. The death of Bruce Wayne's parents is central to the whole mythology surrounding Batman. In the classic heroic quest pattern Joseph Campbell calls the Hero's Journey, the mentor figure must die (or, at least, be abruptly removed from the hero's life). Otherwise, the mentor, being wiser and more skilled, would resolve the quest himself and the hero would not be challenged.
The other type of death is the type that just happens. Because death happens. Because if you live long enough, someone you know will die. This is a little harder to do in fiction, where we know that all the pieces have been put into place by an author. We have the understanding that every event in the story is a deliberate choice.
But just because the death is not a necessary event in terms of the plot (i.e., the story would have advanced just fine without it) doesn't mean it has no impact. Perhaps it illustrates the danger of a situation. Some situations (war comes to mind) are never entered into without cost and would not be believable if no price were paid.
In a gentler example, follow a protagonist through enough of his or her life, and the loss of a parent or loved one is an experience that should just naturally occur. Just as, over time, weddings and job interviews and love scenes will occur. These common but significant experiences give our lives a certain weight.
In stories, unlike life, death is just another thing. Just another possibility in the author's magic bag of tricks. But like everything in that terrible, wonderful bag, the author should reflect on how and why to use it.
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