Longer works – novels, movies, stage plays – are composed of multiple scenes. I suppose you could have a single long scene that included everything, but it would have to be a really good scene.
Changing scenes – that is, occasionally changing characters, locations, and points in time, keeps things interesting. It also resembles life. If we’re not in prison, most of us seek changes of surroundings, at least now and then.
The scenes add up to a story. They are like the pieces of a jigsaw puzzle. No one scene gives the whole of the picture, but each scene contains information necessary to complete the image. And like a puzzle, the pieces all have to be assembled in the proper order.
Where the analogy breaks down, however, is that the author not only assembles the puzzle, but also crafts each individual piece. And unlike jigsaw makers, storycrafters don’t start with a complete picture and then reduce it to components. Just the opposite, in my experience.
Imagine doing a jigsaw puzzle where, when you saw a piece was missing, it was your responsibility to make it. And each piece you make changes the final picture. And you can make them out of sequence, but they have to all fit in place when you are done. (You might have a few waste pieces left over that get thrown away because they don’t fit like you thought they would.)
If I really wanted to stretch the analogy, I could talk about how the events of the scene form the shape of the jigsaw piece while tone and theme are its colors. How the shapes lock the puzzle together while the colors work to make it pleasing.
But really, it’s enough for now just to contemplate how the story is built in our minds, one point at a time, adding up into a complete whole.
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