So it’s April now, and I’ve actually started writing. But I’ve run into a snag.
I’ve written my beginning, just like I expected to – the tavern, the beastmen, the McGuffin (now called the Star of Mountain’s Keeping) – only I feel I need one more scene before I can get my heroes out of the village and on the next location in my outline.
I’ve had the attack on the village and it had consequences, but I think I need just little more emotional weight behind Jon Warder’s decision to leave. Something to show he’s doing it to protect his people.
I don’t have the write the piece in order, of course – and with a page count deadline I probably won’t have the luxury in any case. But I have to remember to come back to the village for that one last scene.
Another thing on my mind: I was on an interesting panel at Norwescon this year that discussed, among other things, the standardization of Hollywood movie development. Formalized act structures and character development arcs and the things that absolutely must happen by the halfway point of the movie.
And I don’t know a lot of this stuff.
I’ve decided not to worry too much about it. I’ve written four novels and several plays. I have some idea of plot, conflict, and resolution. And all those structures, used poorly, just straitjacket your movie, turn it formulaic.
But I’m also aware that used well they are valuable tools. And as this is my first screenplay, I maybe working without a full toolbox. Well, we’ll just have to see what the results look like.
On the plus side, writing all this down has given me an idea for my missing scene...
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