Admittedly, it wasn’t that good a map to begin with.
But I still feel lost.
What the map said was this: Jon Warder goes into the big city, sees the plight of the dwarves, feels responsible because he helped lead them here as refugees after a war, and decides to do something about it. And since this is a fantasy movie, doing something will involve going on a quest and fighting lots of monsters.
I’m nearly half-an-hour into the film (by rough estimate). I’ve got Jon into the city. I’ve shown injustice being done to the dwarves.
But I don’t have the moment.
The moment that stands as a metaphor for all the cumulative injustices that are going on. The moment when Jon says, enough, no more, I’m doing something about this.
Worse, looking for that moment was leading me on a downward spiral, where each bit of inhumanity was worse than the one before. I mean, I’m writing a D&D knockoff here, not District 9.
So I cheated. I brought in a quest-giver figure to say, Jon, you must help us. Take the McGuffin to the Dungeon of Doom. Fight a lot of monsters while you’re at it.
Had to rewrite three pages and I’m still not sure I like it.
But I know a secret: If I can get the plot moving again, I can move on to the end of the story. And once I have the end of the story, then and only then will I have the perspective to adjust the steps that lead up to that end.
This doesn’t end at the end of April. It doesn’t end at 100 pages. It ends when I say it’s done.
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